日韩毛片在线,国产视频综合网在线观看无码厕所,五月天色日韩av最新资源中文无码

2021 UIA-霍普杯國際大學(xué)生建筑設(shè)計(jì)競賽

信息發(fā)布：征集碼頭網(wǎng) 點(diǎn)擊次數(shù)：9330 更新時間：2021-04-29 截止日期：2021-10-10

霍

普

杯

編者按：

期待已久的2021 UIA-霍普杯國際大學(xué)生建筑設(shè)計(jì)競賽題目新鮮出爐啦！普利茲克建筑獎得主、OMA（大都會）建筑事務(wù)所及AMO創(chuàng)始人、哈佛大學(xué)教授雷姆·庫哈斯（Rem Koolhaas）擔(dān)任本次競賽主席并擬定題目

雷姆·庫哈斯

普利茲克建筑獎得主

OMA（大都會）建筑事務(wù)所及AMO創(chuàng)始人

哈佛大學(xué)教授

鄉(xiāng)村困境——新鄉(xiāng)村規(guī)劃

COUNTRYSIDE DILEMMAS—— NEW RURAL PLANNING

云南翁丁古寨于2006年被列入重點(diǎn)鄉(xiāng)村文化遺產(chǎn)保護(hù)名錄。然而牛年伊始，一場大火燒毀了整個村莊。翁丁的火災(zāi)暴露了更為本質(zhì)的困境，遠(yuǎn)非重建村莊的茅草屋頂和精美的木質(zhì)建筑那么簡單。正如我?guī)ьI(lǐng)團(tuán)隊(duì)在世界許多地方調(diào)研時所發(fā)現(xiàn)的。我們正身處一個十字路口，需要思考中國乃至世界鄉(xiāng)村的未來何去何從。

The advent of the year of the Ox brought destruction to the ancient village of Wongding in Yunnan, which has been recognized as important cultural countryside heritage since 2006. The fire that raged through Wongding however exposed more fundamental dilemmas that go beyond replacing the village’s thatched roof tops and intricate wood constructions, which my team and I have been observing in many places in the world for some time now. It coincides with an important crossroads in thinking about the future of the countryside in China and beyond.

中國的鄉(xiāng)村建設(shè)主要依靠自上而下的產(chǎn)業(yè)規(guī)劃。和世界許多其他地方一樣，這樣的建設(shè)方式給鄉(xiāng)村帶了現(xiàn)代化以及顯著的生活水平提升。但與此同時，傳統(tǒng)生活方式中積淀的歷史、自然和文化底蘊(yùn)也遭到一定程度的破壞。自二十世紀(jì)70年代中國推行扶貧政策，直到2020年在全國范圍、特別是在像翁丁古寨及其周邊這樣初步完成的地區(qū)，已經(jīng)重塑了鄉(xiāng)村的樣貌。在實(shí)現(xiàn)這一重大里程碑的重要?dú)v史時刻，需要我們反思當(dāng)初的工作方法，進(jìn)一步思考這一具有全球性的問題：鄉(xiāng)村規(guī)劃未來的路該怎么走？

China’s rural development has been largely based on top-down industrial planning. Like in many places in the world this brought modernity to the countryside and offered dramatic improvements in the quality of life for many. It however also meant that historical, natural, and cultural quality concentrated in age old ways of living suffered. In 2020 the unprecedented anti-poverty campaigns in China that reshaped countrysides since the 1970s across the nation and specifically areas not unlike those we find in and around Wongding came to a first completion. This important milestone marks an important moment for reflection on this initial way of working not only for China: it demands new considerations on the future of planning the countryside.

在這場斗爭中，中國并非孤軍奮戰(zhàn)。在“鄉(xiāng)村·未來”展覽及同名書籍中，我與 AMO團(tuán)隊(duì)以及一大批專家合作展示了世界各地的建筑是如何極大地脫離了鄉(xiāng)村。從俄羅斯迫在眉睫的環(huán)境災(zāi)難、西方對笛卡爾主義刻板形式的集體堅(jiān)守，到歷史文化保護(hù)以及不斷增加的移民危機(jī)所帶來的更嚴(yán)重的全球性后果，我們希望表明關(guān)于鄉(xiāng)村的思考和規(guī)劃對于人類共同的未來從未如此重要。

China is not alone in this struggle. In the exhibition and book Countryside. The Future I showed with the AMO team and a large group of experts how far architecture has drifted from the countryside across the globe. From looming environmental disaster in Russia, the firm corporate grip of ruthless forms of Cartesianism in the West, to the larger global consequences of preservation and growing migration crises, we show that thinking and planning the countryside has never been more important for a shared future.

以往世界各地大范圍的鄉(xiāng)村規(guī)劃中主要采用的是以產(chǎn)業(yè)和物質(zhì)為基礎(chǔ)、或被狹隘的市場利益驅(qū)使的規(guī)劃方法，這兩種方式均亟待革新。我們也看到，傳統(tǒng)的遺產(chǎn)界定方式是如何在包裝成旅游地的壓力下崩潰的，導(dǎo)致我們所認(rèn)為的真實(shí)的東西被掏空。而新的里程碑性質(zhì)不同，它結(jié)合了雄心勃勃的可持續(xù)發(fā)展與鄉(xiāng)村振興等新目標(biāo)，因而需要采用那些能認(rèn)識到鄉(xiāng)村生活品質(zhì)的新做法。現(xiàn)實(shí)的環(huán)境和對更可持續(xù)的生活方式的追求，都促使我們重新思考我們與自然和文化的關(guān)系。很明顯，新一代年輕人希望與鄉(xiāng)村展開新形式的互動。非正式的工具和平臺，如中國的農(nóng)村淘寶、鄉(xiāng)村社交媒體平臺如“快手”，以及在撒哈拉以南地區(qū)運(yùn)用的小型技術(shù)和金融插件，為規(guī)劃、構(gòu)建和體驗(yàn)鄉(xiāng)村開啟了新途徑：提供了積極的城市與鄉(xiāng)村混和的新型復(fù)合生活方式。除了方便和舒適，“真實(shí)”體驗(yàn)和聚焦所形成的真實(shí)性是最重要的。

The old way of planning large swaths of countryside around the world was largely based on an industrial and material-based planning method or the narrow interests of markets. Both are up for reinvention. We also witness how conventional ways of defining heritage are buckling under pressure of packaged tourism, generating a hollowing of what we consider authentic. Combined with the new ambitious sustainability and rural revitalization goals, these are new milestones of a different nature, which need a new approach in it recognizing the quality of village life. Both the environment and the need for more sustainable ways of living urge us to rethink our relationships with nature and culture. It is also clear that a new generation wants a different form of interaction with the countryside. Informal tools and platforms like Chinese Rural Taobao, rural social media platform like Kwaisho, and small scaled technological and financial add-ons used in the Sub-Sahara, offer the start of a new toolkit for planning, framing, and experiencing the countryside: offering hybrid active lifestyles where countryside and urban activity generate a new blended life. Besides convenience and comfort, the authenticity of a ‘real’ experience and focus is paramount.

鄉(xiāng)村正從城市的“服務(wù)提供者”向著更深刻的角色發(fā)展，從根本上挑戰(zhàn)建筑行業(yè)的范式，沒有相關(guān)建筑學(xué)內(nèi)容可供參考，鄉(xiāng)村環(huán)境是對綜合能力的檢驗(yàn)，需要經(jīng)濟(jì)、基礎(chǔ)設(shè)施、新舊技術(shù)和文化統(tǒng)籌協(xié)調(diào)，從而創(chuàng)造新體驗(yàn)。僅靠傳統(tǒng)的工藝，無法實(shí)現(xiàn)我們想要的未來。

The countryside fundamentally challenges the paradigm of the architectural profession by requiring a more deeply ingrained role compared to being a city’s ‘service provider’. There might be no such thing as architecture related-information to fall back to. Rural context requires a skills set where economy, infrastructure, new and old technology, and culture have to work in unison, in order to generate new experiences. Solely mastering old arts and crafts will not bring the future that is needed.

鄉(xiāng)村工作也在挑戰(zhàn)固有的建筑規(guī)劃概念。由于目前鄉(xiāng)村的諸多問題無法單純依賴建造解決，它必須在將新思想、新要求、新方法和新參照更有效地結(jié)合和空間轉(zhuǎn)譯的基礎(chǔ)上進(jìn)行建設(shè)，而不是只靠正統(tǒng)的傳統(tǒng)規(guī)劃。在這樣的背景下，被大火吞噬的翁丁古寨以及世界各地的其它鄉(xiāng)村，應(yīng)以有21世紀(jì)特色的新方式，通過重新思考規(guī)劃、遺產(chǎn)、審美、價值、經(jīng)濟(jì)、發(fā)展和目標(biāo)，實(shí)現(xiàn)更深遠(yuǎn)的鄉(xiāng)村振興。

Work in the countryside also challenges the notion of fixed construction plans. As many of the issues in the countryside are not exclusively solvable by construction alone, it must build more on an effective combination and spatial translation of new ideas, desires, methods and reference points rather than the orthodoxies of traditional planning. Within this context, the burning of Wongding, and all its cousins around the globe, should lead to a broader rejuvenation of the village in a new and striking 21st century way of rethinking planning, heritage, beauty, value, economy, development, and purpose.

我們邀請你提出設(shè)想或提交最好的案例研究范本，這些成果需要挑戰(zhàn)現(xiàn)有的規(guī)劃傳統(tǒng)，并匯集最相關(guān)的、最有趣的可能性，對鄉(xiāng)村的未來提出一個全新的、從根本上有所改變的理念。

We ask you to submit these ideas and or the best case studies examples that challenge existing planning tradition to collectively build a library of the most relevant and interesting possibilities to give a new fundamentally revised view of the future of the countryside.

成果應(yīng)該提交在鄉(xiāng)村開展的新實(shí)驗(yàn)性規(guī)劃及方案，方案不局限于中國而是面向全球的鄉(xiāng)村。

Projects should propose new experimental planning formats and proposals in the countryside. These proposals are not limited to China and invite all countrysides across the globe.
提交的設(shè)計(jì)方案應(yīng)體現(xiàn)地方社區(qū)的參與以及社會、經(jīng)濟(jì)和新文化元素的融入。最理想的是你的設(shè)計(jì)會直接與地方合作。

The plans should show engagement with and involvement of local communities with a social, economic, and new cultural component. Ideally you work directly with locals.
成果應(yīng)以新穎的方式（非噱頭）利用新（數(shù)字）基礎(chǔ)設(shè)施，并需要與大眾（當(dāng)代鄉(xiāng)村）文化有關(guān)聯(lián)。

Projects should make use of new (digital) infrastructures in a novel way, not as a gimmick and have a relationship with popular (contemporary countryside) culture.
成果應(yīng)重點(diǎn)思考自身經(jīng)濟(jì)和生態(tài)的可持續(xù)性，并解決這一問題。

Projects should strongly consider their own economic and ecological sustainability and address this.
匯報形式：一個時長不超過2分鐘的影片和三張A1展板。影片和展板格式不限。方案最好醒目突出、新穎有趣、振奮人心、引人注目。

Format for presentation is a movie no longer than 2:00 minutes and three A1 boards. The movie and boards have a free format. Make your projects stick out, striking, fresh, exciting and engaging.

如有需要，可使用平立剖面圖和效果圖。

Plans, sections, elevations and renderings can be used when relevant.
影片不能出現(xiàn)暴露個人身份信息的內(nèi)容。提交內(nèi)容須配英文字幕。

The movie is not allowed to show personally identifiable information. Your submission has to be subtitled in English.

本題目解析及視頻由Rem Koolhaas, Stephan Petermann, Dongmei Yao共同完成

（關(guān)于翁丁古寨的更多資料請見霍普杯官網(wǎng)下載界面）

一等獎1組，獲獎證書+獎金10萬元人民幣（含稅）；

二等獎3組，獲獎證書+獎金各3萬元人民幣（含稅）；

三等獎8組，獲獎證書+獎金各1萬元人民幣（含稅）；

優(yōu)秀獎若干名，頒發(fā)獲獎證書

優(yōu)秀指導(dǎo)教師獎若干名，頒發(fā)獲獎證書；

1st Prize (1 team) :Certificate and 100,000 RMB (before tax);

2nd Prize (3 teams) :Certificate and 30,000 RMB (before tax);

3rd Prize (8 teams) :Certificate and 10,000 RMB (before tax);

Honorable Mentions (several teams):Certificate;

Advisors of prize-winning projects will also be awarded with certificates.

國際主辦

國際建筑師協(xié)會（UIA）

主辦單位

天津大學(xué)建筑學(xué)院

《城市·環(huán)境·設(shè)計(jì)》（UED）雜志社

聯(lián)合主辦機(jī)構(gòu)

中央美術(shù)學(xué)院建筑學(xué)院

指導(dǎo)機(jī)構(gòu)

全國高等學(xué)校建筑學(xué)專業(yè)教育評估委員會

中國美術(shù)家協(xié)會建筑藝術(shù)委員會

獨(dú)家冠名

上?；羝战ㄖO(shè)計(jì)事務(wù)所股份有限公司

協(xié)辦單位

清華大學(xué)建筑學(xué)院

同濟(jì)大學(xué)建筑與城市規(guī)劃學(xué)院

東南大學(xué)建筑學(xué)院

華南理工大學(xué)建筑學(xué)院

西安建筑科技大學(xué)建筑學(xué)院

重慶大學(xué)建筑城規(guī)學(xué)院

哈爾濱工業(yè)大學(xué)建筑學(xué)院

評委會主席
雷姆·庫哈斯

評委會執(zhí)行主席

崔愷

報名截止時間

2021年9月20日24:00（北京時間）

作品提交截止時間

2021年10月10日24:00（北京時間）

競賽提交郵箱

hypcup@uedmagazine.net

報名方式

點(diǎn)擊本文左下方的“閱讀原文”報名；或掃描二維碼登錄霍普杯官方網(wǎng)站：HTTP://HYPCUP.UEDMAGAZINE.NET注冊報名

Jury Chairman

Rem Koolhaas

Executive Jury Chairman

CUI Kai

Registration Deadline

24:00(GMT+8) September 20th,2021

Submission Deadline

24:00(GMT+8) October 10th,2021

Submission Email

hypcup@uedmagazine.net

Register Now！

Click "Read more" at the bottom of this article to register;Or scan QR code to log in to the official website of UIA-HYP Cup:HTTP://HYPCUP.UEDMAGAZINE.NET

▽

往屆回顧

- REVIEW -

沃爾夫·德·普瑞克斯

Wolf D. Prix

奧地利建筑設(shè)計(jì)大師，藍(lán)天組建筑事務(wù)所聯(lián)合創(chuàng)始人

2020

城市之謎 & 迷之城市

City Puzzle & Puzzle City

貝娜蒂塔·塔格利亞布

Benedetta Tagliabue

普利茲克獎評委，EMBT建筑事務(wù)所創(chuàng)始人、首席建筑師

2019

樂活空間-融合建筑和環(huán)境

Happy Spaces – Integrating Architecture And Landscape

帕特里克·舒馬赫

Patrik Schumacher

扎哈·哈迪德建筑師事務(wù)所總裁

2018

城市共生：定制化社區(qū)模塊

Customizing Modules for Community

讓·努維爾

Jean Nouvel

法國當(dāng)代著名建筑師，2008年普利茲克獎得主

2017

改變與重塑（奪回）

Transformation and Reconquest

伯納德·屈米

Bernard Tschumi

著名建筑大師，伯納德·屈米事務(wù)所創(chuàng)始人

2016

概念與標(biāo)示

Concept and Notation

曼哈德·馮·格康

Meinhard von Gerkan

著名建筑大師，gmp事務(wù)所創(chuàng)始合伙人

2015

演變——多樣統(tǒng)一性中的地域、傳統(tǒng)與現(xiàn)代

Transformation: Place, Tradition and Modernism

in Conceptual Unity and Diversity

丹尼爾·里伯斯金

Daniel Libeskind

國際著名建筑大師，Daniel Libeskind事務(wù)所創(chuàng)始人

2014

出乎意料的城市

Unexpected City

多米尼克·佩羅

Dominique Perrault

法國著名建筑師，多米尼克·佩羅建筑事務(wù)所主持建筑師

2013

建筑必須消失

The Disappearance of Architectures

邁克爾·霍普金斯

Michael Hopkins

大英帝國勛章獲得者，英國皇家院士，霍普金斯建筑師事務(wù)所創(chuàng)始人

2012

文化綜合體

Cultural Complex

關(guān)于霍普杯

- ABOUT UIA-HYP CUP-

建筑進(jìn)化的過程在于對現(xiàn)狀問題的反思以及對所處時代的回應(yīng)。建筑與城市、建筑與自然環(huán)境的關(guān)系問題一直是建筑師面臨的課題。在支離破碎的城市、無序的鄉(xiāng)村里尋找與構(gòu)建具有場所感的人性化空間；在信息時代，體現(xiàn)與生態(tài)環(huán)境相協(xié)調(diào)的可持續(xù)發(fā)展的建筑理念；在建筑學(xué)教育體系中，將設(shè)計(jì)理念與扎實(shí)的建筑學(xué)功底有效地結(jié)合，是UIA-霍普杯國際大學(xué)生建筑設(shè)計(jì)競賽秉承的主旨。競賽要求參與者不斷追問與探索建筑發(fā)展之路，探討當(dāng)代人對建筑與環(huán)境的復(fù)雜性需求，關(guān)注特定場所及其中的事件，構(gòu)建具有生命的城市與建筑空間，并尋求適宜技術(shù)使方案具有可實(shí)施性。

“UIA-霍普杯國際大學(xué)生建筑設(shè)計(jì)競賽”始于2012年，由國際建筑師協(xié)會（UIA）任國際主辦，天津大學(xué)建筑學(xué)院、《城市·環(huán)境·設(shè)計(jì)》（UED）雜志社任主辦單位，是由霍普股份獨(dú)家贊助的面向國際建筑高校大學(xué)生的年度建筑設(shè)計(jì)競賽，已成功舉辦九屆。每屆競賽的評委會主席由一名國際著名建筑大師擔(dān)任，競賽評委為來自國內(nèi)外的著名建筑師及學(xué)院院長。相較于建筑教育循序漸進(jìn)的基礎(chǔ)性培養(yǎng)，設(shè)計(jì)競賽引導(dǎo)學(xué)生以全新的方式進(jìn)行思考以提高解決問題的綜合能力，同時也成為發(fā)現(xiàn)建筑精英的推手。

Architecture in Transformation should respond to contemporary challenges and changes. What concerns us primarily is the relationship between architecture and city, as well as the one between architecture and natural environment. The competition aims at searching and constructing human space with a Spirit of Place in the increasingly fragmented cities and unordered villages, exploring environment-friendly and sustainable ideas in the information age, and integrating creative concepts with solid basic skills in architectural design. The competition requires the participants to make detailed insights and reflections on architectural development, explore complicated demands of the people nowadays for architecture and environment, pay attention to specific sites and the events happening in them, and configure viable and dynamic urban and architectural spaces, at the same time seek suitable techniques to guarantee the possibility of implementation of the project.

“UIA-HYP Cup International Student Competition in Architectural Design” was initiated in 2012. It is internationally sponsored by the Union International des Architects (UIA), organized by the School of Architecture, Tianjin University and Urban Environment Design (UED) Magazine. Shanghai HYP-ARCH Architectural Design Consultant Co. Ltd. is the Exclusive Naming Sponsor. It is an annual architectural competition which has been successfully held for 9 years. Each year, the UIA-HYP Cup is chaired by an internationally renowned architectural master, and the jury panel is selected from among the world's most outstanding architects and deans from schools of architecture. To boost the architectural education which mainly focuses on basic skill training in its conventional and progressive system, UIA-HYP Cup International Student Competition takes the role as an external platform for student to embrace a brand new thinking approach in order to improve their comprehensive problem solving skill, meanwhile it is also some kind of headhunter for discovering emerging elite architects.

競賽的鑼鼓已經(jīng)敲響，

來自國內(nèi)外的評委大師已經(jīng)準(zhǔn)備就緒，

你和小伙伴們還等什么，快快行動起來，

點(diǎn)擊本文左下方的“閱讀原文”，

或掃描二維碼，

登錄霍普杯官方網(wǎng)站：HTTP://HYPCUP.UEDMAGAZINE.NET

注冊報名吧!

▼▼▼

版權(quán)歸大賽組織方所有，在此僅作報道交流