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溫州，浙南地區(qū)的經(jīng)濟、文化、科技、金融和交通中心，中國經(jīng)濟的前沿陣地。2015年初，溫州市委、市政府決定，以溫州國家高新區(qū)為基礎(chǔ)，建設(shè)溫州浙南科技城，引領(lǐng)溫州、浙南地區(qū)的產(chǎn)業(yè)全面轉(zhuǎn)型升級，促進溫州東部城市中心建設(shè)。自2016年啟動建設(shè)以來，圍繞智能裝備、生命健康、數(shù)字經(jīng)濟三大主導(dǎo)產(chǎn)業(yè)，已集聚甌江實驗室、國科溫州研究院、中國眼谷等9大高能級平臺，落地大唐5G全球創(chuàng)新中心中國長三角區(qū)域中心、天心天思數(shù)字經(jīng)濟產(chǎn)業(yè)中心、北斗信息產(chǎn)業(yè)基地等一批重大項目，有力推動了溫州高新區(qū)的發(fā)展。

新時代，重點是解決人民群眾對美好生活的追求問題。中國姿態(tài)?黃石山雕塑公園便是孕育于這一背景下，也是溫州生態(tài)立市、綠色惠民、打造宜居宜業(yè)“美麗溫州”和加快文化產(chǎn)業(yè)發(fā)展的重要舉措。

2017年12月，溫州龍灣黃石山公園以“中國姿態(tài)”首屆溫州雕塑展為依托，入園30件藝術(shù)家的雕塑精品，正式更名“中國姿態(tài)?黃石山雕塑公園”。雕塑公園依山傍水而建，保持著黃石山原始地質(zhì)風(fēng)貌與自然生態(tài)景觀，整體公園面積合計超過700公頃。

2019年，溫州龍灣區(qū)人民政府(高新區(qū)管委會)、浙南科技城管委會與中國雕塑學(xué)會合作，通過舉辦“中國姿態(tài)——視界未來”第二屆溫州雕塑展進一步建設(shè)中國姿態(tài)?黃石山雕塑公園。該園隸屬于溫州浙南科技城管轄范圍，在主辦方的共同努力下，已有55件國內(nèi)外優(yōu)秀雕塑作品入園。經(jīng)過兩屆展覽，黃石山生態(tài)區(qū)域的藝術(shù)氛圍得到提升，雕塑公園的文化內(nèi)涵得到升華，浙南文化的當(dāng)代價值得以凸顯。溫州的雕塑建設(shè)在規(guī)模和質(zhì)量上取得新進展的同時，進入到一個嶄新的管理和運營階段，是新時期中國城市建設(shè)與公共藝術(shù)、市民生活與文化事業(yè)協(xié)調(diào)發(fā)展的里程碑式的創(chuàng)造和實踐。

2022年，溫州龍灣區(qū)人民政府(高新區(qū)管委會)、浙南科技城管委會將與中國雕塑學(xué)會、上海美術(shù)學(xué)院合作，共同主辦“中國姿態(tài)——共融共創(chuàng)”第三屆溫州雕塑展。本著“努力創(chuàng)作生產(chǎn)更多傳播當(dāng)代中國價值觀念、體現(xiàn)中華文化精神、反映中國人審美追求，思想性、藝術(shù)性、觀賞性有機統(tǒng)一的優(yōu)秀作品”，本屆展覽計劃落成25件戶外雕塑，以可持續(xù)的藝術(shù)方式參與城市發(fā)展，以優(yōu)秀的作品推動浙南地區(qū)的人文生態(tài)風(fēng)貌建設(shè)。

本屆展覽將延續(xù)雕塑展主旋律——中國姿態(tài)，以“共融共創(chuàng)”為主題。黃石山雕塑公園以雕塑界“中國姿態(tài)”戶外展的形式落地，是“中國姿態(tài)”學(xué)術(shù)品牌戶外化、空間化、國際化的延伸。

科技的使命在于創(chuàng)造物質(zhì)世界，藝術(shù)的使命在于表達并傳遞人類情感。在智能化時代高速發(fā)展的當(dāng)下，科技與藝術(shù)的共融是未來的發(fā)展趨勢。科技的發(fā)展將重構(gòu)新連接，讓我們身臨其境無限的暢想與身體力行無限的創(chuàng)造可能。在藝術(shù)領(lǐng)域，藝術(shù)家開始嘗試在作品中融入更多科技的元素或以科技為手段進行創(chuàng)作，無論是從表現(xiàn)形式或是創(chuàng)作內(nèi)容，都呈現(xiàn)出更加多元化的表達。在強調(diào)互動性、開放性、體驗性以及地域獨有的文化氣韻上，與科技的融合，讓藝術(shù)的表達不斷展現(xiàn)出新的潛能，這一更加開放的發(fā)展催生出新的文化藝術(shù)表達，幫助我們開啟新的征程。

近年來，文化和旅游系統(tǒng)著眼滿足人民群眾對精神文化生活的新期待，以高質(zhì)量文化供給增強人民群眾的文化獲得感、幸福感。作為本屆雕塑展的主辦方，浙南科技城管委會與中國雕塑學(xué)會期望通過雕塑藝術(shù)的表現(xiàn)方式，與浙南科技的發(fā)展強強聯(lián)手，打造具有浙南辨識度的魅力、生態(tài)、科創(chuàng)之城，共同創(chuàng)造出大未來，為筑巢引鳳、匯聚人才助力，為浙南的智慧生活賦能美好；“把最好的精神食糧奉獻給人民”，用弘揚中國精神、凝聚中國力量的藝術(shù)作品關(guān)切浙南文化的發(fā)展；將中國姿態(tài)?黃石山雕塑公園建設(shè)成具有溫州浙南品格、展現(xiàn)中國姿態(tài)和建設(shè)美麗中國的生動樣本；通過有計劃、規(guī)劃的逐步建設(shè)，將其打造成國際一流的雕塑公園，成為全球藝術(shù)新地標(biāo)！

本屆展覽我們期待藝術(shù)家能夠關(guān)注新時代浙南地區(qū)的發(fā)展，用藝術(shù)呈現(xiàn)出浙南自信自立、創(chuàng)新進取、開放包容的精神。在充滿變化、機遇與挑戰(zhàn)的新時代，以雕塑聚焦浙南發(fā)展新視界，“共融共創(chuàng)”出浙南的美好大未來！

展覽名稱：“中國姿態(tài)——共融共創(chuàng)”第三屆溫州雕塑展

展覽開幕： 2022年10月（時間待定）

展覽地點：中國姿態(tài)·黃石山雕塑公園

展覽期限：25件最終收藏作品在溫州永久陳列

所有最終參展作品的立體小稿和落地作品將被溫州永久收藏。

作品收藏（以下金額為稅后金額）：

收藏作品件數(shù)：25件

收藏費用：8-25萬/件

收藏費由溫州方以人民幣形式支付

凡認同本次雕塑展的主題和宗旨，具有雕塑創(chuàng)作能力的國內(nèi)外藝術(shù)家均可報名，不限國別、民族、年齡、性別。本次展覽采用廣泛征集與特別邀請相結(jié)合的方式，面向全球，公開征稿。

參展作品要求是作者首次在公共環(huán)境中建立的原創(chuàng)作品，設(shè)計尺寸為4-5米左右。作者擁有作品全部的知識產(chǎn)權(quán)；創(chuàng)作理念創(chuàng)新、獨特，可融入科創(chuàng)、人才等相關(guān)創(chuàng)作元素；同時還須形式美觀，藝術(shù)性強，能融入戶外環(huán)境；具有可實施性、安全性和永久性。

如因著作權(quán)等問題發(fā)生糾紛均由應(yīng)征作品作者承擔(dān)一切法律責(zé)任，如收藏作品發(fā)生上述糾紛則藝術(shù)家應(yīng)退還收藏費用及參展證書；并向主辦方賠償為此作品收藏過程中產(chǎn)生的加工、安裝等所有相關(guān)費用。

（1）征稿采用網(wǎng)上報名方式。每位作者可提交1-3件作品方案供藝委會審定，每件作品創(chuàng)作者人數(shù)不超過2人。

（2）填寫組委會統(tǒng)一制定的報名登記表并提供相應(yīng)附帶資料（相關(guān)表格和說明從中國雕塑學(xué)會網(wǎng)站www.csin.org.cn下載）。作者請于2021年12月12日24:00前將報名登記表電子版與參展作品方案圖片、個人照片、身份證（正背面）掃描件發(fā)至組委會電子郵箱wenzhoudiaosudazhan@csin.org.cn；發(fā)送多件作品的，作品圖片要與作品說明對應(yīng)明確、清晰；組裝作品要有清楚明了的安裝圖；所有圖片電子版解析度應(yīng)在300DPI以上；作品圖片為JPG格式（不標(biāo)注任何文字信息），圖片文件名按照作者姓名、作品名稱、規(guī)格、材料格式命名（例如：米隆《擲鐵餅者》高152cm、青銅.JPG）；報名登記表填寫清楚、不漏項，國外參展作者（華裔除外）原則上用英語填寫；報送材料逾期不予受理。建議將作品方案壓縮打包發(fā)送至投稿郵箱，例如：米隆《擲鐵餅者》.rar。

（3）藝委會依據(jù)報名參選資料對所有報送作品進行審定，結(jié)果將于2021年 12月30日左右在中國雕塑學(xué)會官方網(wǎng)站（www.csin.org.cn）公布。藝委會將與入選作者明確雙方的責(zé)任、權(quán)利和義務(wù)。入選作者應(yīng)正式回復(fù)后與雕塑作品立體稿（50公分左右，按照作品最大邊長計算）于2022年1月21日之前（具體時間待定）寄送至藝委會指定地點，參加優(yōu)秀作品方案展（立體稿的制作費及其運輸至藝委會指定地點的運費由藝術(shù)家自行承擔(dān)）。優(yōu)秀作品方案展具體舉辦時間以藝委會通知為準(zhǔn)。

（1）參展作者申報的項目不得侵犯其他第三方的專利權(quán)、著作權(quán)、商標(biāo)權(quán)、名譽權(quán)或其他任何合法權(quán)益。

（2）參展作者申報的項目所包含的任何文字、圖片、圖形、音頻或視頻資料，均受版權(quán)、商標(biāo)權(quán)和其它所有權(quán)的法律保護，未經(jīng)參展作者同意，上述資料不得公開發(fā)布、播放。

（3）“中國姿態(tài)——共融共創(chuàng)”第三屆溫州雕塑展主辦單位有權(quán)對展覽項目進行作品匯編的出版、發(fā)行以及授權(quán)中國雕塑學(xué)會、上海美術(shù)學(xué)院、溫州市龍灣區(qū)人民政府、浙南科技城管委會進行公益使用等。

展覽畫冊：所有最終收藏作品將編入此次活動畫冊。內(nèi)容有展覽介紹、學(xué)術(shù)文章、展覽花絮、收藏作品、作者簡介以及作品說明等文字內(nèi)容。

組委會將贈送每位入選藝術(shù)家《“中國姿態(tài)——共融共創(chuàng)”第三屆溫州雕塑展作品集》1冊。

最終入選制作放大的25件雕塑作品，原則上全部統(tǒng)一由溫州浙南科技城建設(shè)投資集團有限公司招標(biāo)的中標(biāo)雕塑加工單位負責(zé)加工。作品最終的放大尺寸和材質(zhì)將由藝委會決定。具象寫實雕塑作者須親自放稿。成品制作加工期間所有放大制作作品的作者必須到指定加工廠或制作現(xiàn)場進行至少一次的作品監(jiān)制工作（具體情況根據(jù)疫情防控安排調(diào)整），差旅食宿由藝委會負責(zé)，未到工廠進行監(jiān)制的作者將被視做主動放棄作品收藏的資格。同時展覽藝委會將組織展覽監(jiān)制組，對作品的制作以及監(jiān)制工作進行整體的協(xié)調(diào)和監(jiān)督。

論壇主題待定，屆時將邀請知名學(xué)者、專家、藝術(shù)家、收藏家、大型藝術(shù)機構(gòu)負責(zé)人和媒體，就中國雕塑現(xiàn)狀、理論發(fā)展、雕塑產(chǎn)業(yè)等相關(guān)問題進行專業(yè)發(fā)言與探討，藉以提升第三屆溫州雕塑展的學(xué)術(shù)品質(zhì)，挖掘理論深度，打造高端的合作、學(xué)術(shù)和推廣的交流平臺。

中國雕塑學(xué)會

上海美術(shù)學(xué)院

溫州市龍灣區(qū)人民政府（高新區(qū)管委會）

溫州浙南科技城管理委員會

由主辦方組織建立“中國姿態(tài)——共融共創(chuàng)”第三屆溫州雕塑展組委會和藝委會。

溫州浙南科技城建設(shè)投資集團有限公司

中國雕塑學(xué)會展覽部

中央美術(shù)學(xué)院雕塑系

中國美術(shù)學(xué)院雕塑系

清華大學(xué)美術(shù)學(xué)院雕塑系

上海美術(shù)學(xué)院雕塑系

廣州美術(shù)學(xué)院雕塑系

魯迅美術(shù)學(xué)院雕塑系

西安美術(shù)學(xué)院雕塑系

四川美術(shù)學(xué)院雕塑系

天津美術(shù)學(xué)院雕塑系

湖北美術(shù)學(xué)院雕塑系

曾成鋼  中國美術(shù)家協(xié)會副主席、中國雕塑學(xué)會會長、上海美術(shù)學(xué)院院長、清華大學(xué)美術(shù)學(xué)院副院長

黎  明  

中國雕塑學(xué)會副會長、中國美術(shù)家協(xié)會雕塑藝委會主任

楊劍平  

中國雕塑學(xué)會副會長、上海大學(xué)藝術(shù)研究院院長

孫振華  

中國雕塑學(xué)會副會長、《中國雕塑》主編

陳云崗  

中國雕塑學(xué)會副會長、西安美術(shù)學(xué)院教授

殷雙喜  

中國雕塑學(xué)會副會長、《美術(shù)研究》執(zhí)行主編

傅中望  

中國雕塑學(xué)會副會長、湖北美術(shù)館藝術(shù)總監(jiān)

霍波洋  

中國雕塑學(xué)會副會長、魯迅美術(shù)學(xué)院教授

龍   翔  

中國雕塑學(xué)會副會長、中國美術(shù)學(xué)院教授

呂品昌  

中國雕塑學(xué)會副會長、景德鎮(zhèn)陶瓷大學(xué)副校長

焦興濤  

中國雕塑學(xué)會副會長、四川美術(shù)學(xué)院副院長

殷曉峰  

中國雕塑學(xué)會副會長、東北師范大學(xué)美術(shù)學(xué)院教授

馬天羽  

北京服裝學(xué)院美術(shù)學(xué)院副院長

王  林  

四川美術(shù)學(xué)院教授、著名美術(shù)批評家、策展人

孫  偉  

中國工藝美術(shù)學(xué)會雕塑專業(yè)藝委會主任、中央美院雕塑研究所所長

余晨星  

中國美術(shù)學(xué)院雕塑與公共藝術(shù)學(xué)院副院長

張   偉  

中央美術(shù)學(xué)院雕塑系主任

張松濤  

湖北美術(shù)學(xué)院雕塑系主任

陳   克  

廣州美術(shù)學(xué)院雕塑與公共藝術(shù)學(xué)院院長

陳曉春  

西安美術(shù)學(xué)院雕塑系主任

陳   輝  

清華大學(xué)美術(shù)學(xué)院雕塑系副主任

拉爾方索  

國際動態(tài)藝術(shù)組織(KAO)主席

林   崗  

杭州市雕塑院院長

董書兵  

清華大學(xué)美術(shù)學(xué)院雕塑系主任

蔣鐵驪  

上海美術(shù)學(xué)院副院長

鮑海寧  

魯迅美術(shù)學(xué)院雕塑系主任

譚   勛  

天津美術(shù)學(xué)院雕塑系主任

翟慶喜  

中國美術(shù)學(xué)院、清華大學(xué)美術(shù)學(xué)院雙聘教授

魏小明  

清華大學(xué)美術(shù)學(xué)院教授、北京市美協(xié)副主席

曾成鋼  

中國美術(shù)家協(xié)會副主席、中國雕塑學(xué)會會長、上海美術(shù)學(xué)院院長、清華大學(xué)美術(shù)學(xué)院副院長

閆坤、花春江、胡玉多

董書兵、林崗、翟慶喜、陳輝、沈烈毅、朱晨、馬天羽、馮崇利

王晶、張卓銘

郭航、胡玉多、丁雪竹

花春江、劉梅霞、邵玥嬌、呂文濤、胡玉多、王晶、羅平、張卓銘、丁雪竹

電話：

010-50933158

電子郵件：

wenzhoudiaosudazhan@csin.org.cn

地址：

北京市順義區(qū)后沙峪鎮(zhèn)西興路3號院12號樓302室

郵編：

101318

“中國姿態(tài)——共融共創(chuàng)”第三屆溫州雕塑展組委會保留對本次展覽征稿啟事的最終解釋權(quán)。

“中國姿態(tài)——共融共創(chuàng)”第三屆溫州雕塑展組委會辦公室

“Chinese Pose——Co-prosperity and Co-creation” The 3rd Wenzhou Sculpture Exhibition Contribution Invited

Wenzhou is the economic, cultural, technological, financial and transportation center of Southern Zhejiang (Zhenan), the frontier of China’s economy. At the beginning of 2015, Wenzhou Municipal Committee and Municipal People’s Government decided to build Wenzhou Zhenan Sci-tech City on the basis of Wenzhou National High-tech Zone, leading the comprehensive transformation and upgrading of industries in Wenzhou and Southern Zhejiang, and promoting the construction of the eastern city center of Wenzhou.

Since the start of construction in 2016, around the three leading industries of smart equipment, life and health, and digital economy, Wenzhou Zhenan Sci-tech City has gathered 9 high-energy platforms such as Oujiang Laboratory, Wenzhou Research Institute of National Science and Technology, and China Eye Valley, and built Datang 5G Global Innovation Center-China Yangtze River Delta Regional Center, Tianxin Tiansi Digital Economy Industry Center, and Beidou Information Industry Base, etc., which strongly promoted the development of Wenzhou High-tech Zone.

In the new era, our focus is to solve the problem of the people’s pursuit of a better life. Chinese Pose ? Huangshishan Sculpture Park was conceived under this background, and it is also an important measure for Wenzhou to establish an ecological city and accelerate the development of cultural industries.

In December 2017, 30 pieces of sculptures, based on “Chinese Pose” the 1st Wenzhou Sculpture Exhibition, landed in Huangshishan Park of Wenzhou，thus the park was officially renamed as “Chinese Pose·Huangshishan Sculpture Park”. It is built around mountains and rivers, maintaining the original geological features and natural ecological landscape of Huangshi Mountain. The total area of the park exceeds 700 hectares.

In 2019, Wenzhou Longwan District People’s Government (High-tech Zone Management Committee), Management Committee of Wenzhou Zhenan Sci-tech City and China Sculpture Institute further built Chinese Pose ? Huangshishan Sculpture Park by hosting “Chinese Pose—Future Vision” the 2nd Wenzhou Sculpture Exhibition. The park is under the jurisdiction of Wenzhou Zhenan Sci-tech City, and with the joint efforts of the organizers, 55 outstanding sculpture works at home and abroad have been landed. After two rounds of exhibitions, the artistic atmosphere of Huangshi Mountain ecological area has been improved, the cultural connotation of the sculpture park has been sublimated, and the contemporary value of southern Zhejiang（Zhenan）culture has been highlighted. While the sculpture construction in Wenzhou has made new progress in scale and quality, it has entered a new stage of management and operation. It is a milestone creation and practice of the coordinated development of urban construction, public art, civic life and cultural undertakings in China.

In 2022, Wenzhou Longwan District People’s Government (High-tech Zone Management Committee), Management Committee of Wenzhou Zhenan Sci-tech City will cooperate with China Sculpture Institute and Shanghai Academy of Fine Arts to co-host the 3rd Wenzhou Sculpture exhibition. In line with “strive to create more outstanding works that spread contemporary Chinese values, embody the spirit of Chinese culture, and reflect the aesthetic pursuit of Chinese people”, this round of exhibition plans to complete 25 pieces of outdoor sculptures, in a sustainable artistic way to participate in urban development and promote ecological landscape construction of Zhenan.

This round of exhibition will continue the main theme of the sculpture exhibition—Chinese Pose, with the title of “Co-prosperity and Co-creation”. “CHINESE POSE-CHINA SCULPTURE EXHIBITION” is a well-known indoor national sculpture exhibition held by China Sculpture Institute, and Huangshishan Sculpture Park, taking the form of an outdoor exhibition of the “Chinese Pose”, is an extension of the “Chinese Pose” in outdoorization, spatialization and internationalization.

The mission of science and technology is to create the material world, and the mission of art is to express and transmit human emotions. In the current era of rapid development in the intelligent age, the integration of technology and art is the future development trend. The development of science and technology will reconstruct new connections, allowing us to immerse ourselves in infinite imagination and personally practice infinite possibilities of creation. In the field of art, artists began to try to incorporate more scientific and technological elements into their works or use technology as a means to create, both in terms of expressive form and creative content, showing more diversified expressions. In emphasizing interactivity, openness, experience, and regional unique cultural charm, the integration with technology allows the expression of art to continuously show new potentials. This more open development has given birth to new cultural and artistic expressions, helping us to embark on a new journey.

In recent years, the cultural and tourism system of China has focused on meeting the people’s new expectations for spiritual and cultural life, and has been dedicating to enhance the people’s sense of cultural acquisition and happiness with high-quality cultural supplies. As the hosts of this year’s sculpture exhibition, the Management Committee of Wenzhou Zhenan Sci-tech City and China Sculpture Institute hope that through the expression of sculpture art, combining with developments and strengths of Science and Technology of Zhenan, we will welcome a smarter and greater future. We expect using art works to concern about developments of southern Zhejiang’s culture, and build Chinese Pose ? Huangshishan Sculpture Park into a vivid sample of showing a beautiful China with Wenzhou’s charm. Through planned and gradual construction, we will devote ourselves to making it a world-class sculpture park, a new landmark of global art.

We expect artists to pay attention to the development of southern Zhejiang (Zhenan) in the new era, and use art to show the spirit of its self-confidence, innovation and enterprising, openness and inclusiveness. In a period full of changes, opportunities and challenges, we will use sculptures to focus on the new vision of the development of Southern Zhejiang, and “Co-prosper and Co-create” a bright future for Southern Zhejiang.

1. “Chinese Pose-Co-prosperity and Co-creation” the 3rd Wenzhou Sculpture Exhibition

Exhibition Opening: 

October, 2022 (undetermined)

Exhibition Venue: 

Chinese Pose · Huangshishan Sculpture Park

Exhibition Duration:

All final 25 participating art works will be displayed permanently in Wenzhou of China.

All the final works, together with their models will be permanently collected by Wenzhou.

2.  Collection of Works (After tax):

Number of works in the collection: 25

Collection cost: 80,000-250,000 RMB/piece

Collection fee shall be paid by Wenzhou party in RMB

1.  Scope and Form of Solicitation

All artists who identify with the theme and purpose of the exhibition and have the sculpture creation skills are qualified for participation, with no limitation of nationality, age or gender. The exhibition adopts both ways of open solicitation and special invitation, invites contribution globally.

2． Creation Requirements

The requirements for the exhibited works are the original works first created for the public environment, and the design size is about 4-5 meters. The author owns all the intellectual property rights of the work; the concept of the work should be creative and unique, taking into consideration of relevant creative elements such as science and technology, talents, etc., with aesthetics forms and artistic expression, as well as suitable for outdoor display, practical, safe and permanent.

If disputes occur due to copyright and other issues, the authors of the applied works shall bear all legal liabilities. If the above disputes occur in the final work collection, the artist shall refund the collection fee and participation certificate; and compensate the hosts or organizers for all related expenses in the installation of the work.

3．Collecting Details

(1) The online application method is adopted for the solicitation. Each author can submit 1-3 work proposals for review by the Art Committee, and the number of creators of each work should not exceed two.

(2) Fill in the registration form and provide corresponding materials (relevant forms and instructions can be downloaded from the website of China Sculpture Institute www.csin.org.cn). Authors are requested to send the electronic version of the registration form together with the pictures of the proposals, personal photos, and scanned copies of passport to the Organizing Committee’s Email wenzhoudiaosudazhan@csin.org.cn before 24:00 on Dec 12, 2021.

For sending multiple works, the picture of the work must correspond to the description of the work clearly; the assembly work must have a clear installation drawing; the resolution of the electronic version of all pictures should be above 300DPI; the work picture should be in JPG format (no text information is marked on the picture), the name of the pictures should be named according to the work name, size, and material; the registration form is filled in clearly, no missing items, foreign authors should fill the form in English in principle; the proposals will not be accepted after the deadline. It is recommended to compress and package the proposals and send them to the submission mailbox,for example: Myron, Discobolos.rar.

(3) The Art Committee will review all qualified submitted proposals, and the results will be announced on the official website of the Chinese Sculpture Institute (www.csin.org.cn) around December 30, 2021. The Art Committee will clarify the responsibilities, rights and obligations of both parties with the selected authors. The selected authors should formally reply and send the model of the sculpture (the height shouldn’t exceeds 50 cm) before January 21, 2022 (the specific time is to be determined) to the designated location of the art committee to participate in the model exhibition (The production cost of the model and the shipping cost to the place designated by the art committee shall be borne by the artist). The specific time for the model exhibition is subject to the notice of the Art Committee.

4.  The Protection of Intellectual Property Rights

(1) The project and plan submitted by the participants must not violate and infringe upon the patent, copyright, trademark, defamation or any other legitimate right and interest of the third party.

(2) Any text, images, graphics, audio or video material appeared in the submitted art works and projects of the applicants are protected by copyright, trademark and all other proprietary legal rights. No information mentioned above shall be released to the public without the consent of the participant.

(3) The organizers of the exhibition reserve the right to publish the art works catalogue and the distribution of catalogue, as well as authorize China Sculpture Institute，Shanghai Academy of Fine Arts，Wenzhou Longwan District People’s Government and Management Committee of Wenzhou Zhenan Sci-tech City the right of its usage in public welfare.

5. Publication:

Exhibition Catalogue: All final collections will be included in the exhibition catalogue. Content of the exhibition catalogue will cover exhibition introduction, academic articles, exhibition highlights, artist biography, and artwork descriptions.

The Organizing Committee will present each selected artist with 1 volume of the catalogue.

The final 25 sculptures selected will be amplified by the sculpture factory (final bid winner) and the Art Committee will decide the amplifying size and material. For figurative realistic sculptures, authors should do the mud-model amplifying work themselves and go to the factory to supervise the amplifying process once (the situation will be adjusted according to the pandemic prevention and control arrangements). Accommodation will be provided by the Art Committee. Authors who fail to perform the supervision are considered to give up their right and qualification. The exhibition art committee will organize the supervision department to coordinate and supervise the manufacturing process.

The theme of the forum is to be determined. We will invite well-known experts, artists, collectors, directors of large art institutions and media to join us in the high quality academic seminars, lectures and receptions to enhance the academic quality of The 3rd Wenzhou Sculpture Exhibition, to expand the comprehensive influence of sculpture art in the field and to build the communication platform for academic exchange, high-end cooperation and promotion.

China Sculpture Institute

Shanghai Academy of Fine Arts

Wenzhou Longwan District People’s Government (High-tech Zone Management Committee)

Management Committee of Wenzhou Zhenan Sci-tech City

Organizing Committee and Art Committee of the 3rd Wenzhou Sculpture Exhibition will be established by the hosts.

Wenzhou Zhenan Technology City Construction Investment Group Co., Ltd.

Exhibition Department of China Sculpture Institute

Sculpture Department of China Central Academy of Fine Arts

Sculpture Department of China Academy of Art

Sculpture Department of Academy of Arts & Design, Tsinghua University

Sculpture Department of Shanghai Academy of Fine Arts

Sculpture Department of Guangzhou Academy of Fine Arts

Sculpture Department of Luxun Academy of Fine Arts

Sculpture Department of Xi’an Academy of Fine Arts

Sculpture Department of Sichuan Academy of Fine Arts

Sculpture Department of Tianjin Academy of Fine Arts

Sculpture Department of Hubei Academy of Fine Arts

Zeng Chenggang

Vice President of Chinese Artists Association, President of China Sculpture Institute, President of Shanghai Academy of Fine Arts, Vice President of Academy of Art and Design of Tsinghua University

Li Ming 

Vice President of China Sculpture Institute, Dean of the Sculpture Art Committee of Chinese Artists Association

Yang Jianping   

Vice President of China Sculpture Institute, Director of Art Institute of Shanghai University

Sun Zhenhua  

Vice President of China Sculpture Institute, Editor-in-Chief of China Sculpture

Chen Yungang   

Vice President of China Sculpture Institute, Professor of Xi’an Academy of Fine Arts

Yin Shuangxi   

Vice President of China Sculpture Institute, Executive Editor-in-Chief of Art Research

Fu Zhongwang   

Vice President of China Sculpture Institute, Artistic Director of Hubei Museum of Art

Huo Boyang   

Vice President of China Sculpture Institute, Professor of Luxun Academy of Fine Arts

Long Xiang   

Vice President of China Sculpture Institute, Professor of  China Academy of Art

Lv Pinchang  

Vice President of China Sculpture Institute, Vice President of Jingdezhen Ceramic University

Jiao Xingtao   

Vice President of China Sculpture Institute, Vice President of Sichuan Fine Arts Institute

Yin Xiaofeng   

Vice President of China Sculpture Institute, Professor of Fine Arts College in Northeast Normal University

Ma Tianyu   

Vice President of Academy of Fine Arts, Beijing Institute of Fashion Technology

Wang Lin  

Professor of Sichuan Fine Arts Institute, Well-known art critic and curator

Sun Wei 

Dean of Sculpture Art Committee of China National Arts and Crafts Society, Director of Sculpture of Research Center in China Central Academy of Fine Arts

Yu Chenxing   

Vice President of the School of Sculpture and Public Art, China Academy of Art

Zhang Wei   

Dean of Sculpture Department of China Central Academy of Fine Arts

Zhang Songtao  

Dean of Sculpture Department of Hubei Academy of Fine Arts

Chen Ke   

Department Head of School of Sculpture and Public Art, Guangzhou Academy of Fine Arts

Chen Xiaochun   

Dean of Sculpture Department, Xi’an Academy of Fine Arts

Chen Hui  

Deputy-dean of Sculpture Department, Academy of Fine Arts, Tsinghua University

Ralfonso     

Founder and Chairman of Kinetic Art Organization (KAO)

Lin Gang  

President of Hangzhou Sculpture Institute

Dong Shubing   

Dean of Sculpture Department, Academy of Fine Arts, Tsinghua University

Jiang Tieli   

Vice President of Shanghai Academy of Fine Arts

Bao Haining   

Dean of Sculpture Department of Luxun Academy of Fine Arts

Tan Xun  

Dean of Department of Sculpture, Tianjin Academy of Fine Arts

Zhai Qingxi   

Double-appointed professor at China Academy of Art and Academy of Art at Tsinghua University

Wei Xiaoming   

Professor of Academy of Arts and Design, Tsinghua University, Vice President of Beijing Artists Association

Zeng Chenggang

Vice President of Chinese Artists Association, President of China Sculpture Institute, President of Shanghai Academy of Fine Arts, Vice President of Academy of Art and Design of Tsinghua University

Yan Kun, Hua Chunjiang, Katherine

Dong Shubing, Lin Gang, Zhai Qingxi, Chen Hui, Shen Lieyi, Zhu Chen, Ma Tianyu, Feng Chongli

Wang Jing, Zhang Zhuoming

Guo Hang, Katherine, Dakota

Hua Chunjiang, Liu Meixia, Shao Yuejiao, Lv Wentao, Katherine, Wang Jing, Luo Ping, Zhang Zhuoming, Dakota

Tel: (+86) 010-50933158

Email: wenzhoudiaosudazhan@csin.org.cn

Address: Room 302, Building 12, Yard 3, Xixing Road, Houshayu Town, Shunyi District, Beijing, China

Postal Code: 101318

“Chinese Pose- Co-prosperity and Co-creation” the 3rd Wenzhou Sculpture Exhibition Organizing Committee reserves the right of the final interpretation to the contribution invitation.

Organizing Committee Office